Most travelers to Tibet go to namtso

Some say namtso is beautiful

Ranked first in the beauty of Tibet

It doesn’t matter if it’s number one

The key is to have a pair of eyes to find beauty

In namtso, for example, it’s still hidden

Iconography tianmen is a sacred land of great beauty

It’s called the end of Tibet’s most beautiful landscape. Iconography tianmen’s late development as a tourist route is due to its location in a fjord surrounded by mountains on three sides, with no access to the lake.

The way to Iconography tianmen is through naguenla pass, in namtso township, which is separated from the traditional tourist route of namtso to zhaxi peninsula.

Many of our friends who went there for the first time have come a long way and asked for directions many times.

Iconography tianmen has reopened after more than a year of renovation.

Iconography tianmen’s camp is still rudimentary, with only canvas tents, simple beds and quilts, and fires at night to keep warm. The scenic spot offers simple meals for a fee tied to tickets.

Iconography tianmen’s romantic legend

Legend has it that in the 8th century AD, the lotus master, who was invited by the king of Tibet, chiasong desan, to enter Tibet to spread Buddhism, surrendered nianqing tangula, betrothed namtso to nianqing tangula, and became a couple. A grand wedding ceremony was held on chadoranga island.

Iconography tianmen is known as the stone gate, which was built the night before the wedding by 108 supernatural forces in the shape of a sacred elephant moving from northeast to southwest.

Because of this legend, Iconography tianmen has become the preferred destination for many new tourists to photograph in Tibet.

The beauty of Iconography tianmen

Iconography tianmen counts among them the goddess namtso and the nymphs of tanggula.

The golden hill of sunshine in the early morning looks sacrosanct.

At dusk, Iconography tianmen is at its most beautiful every day. The lines along the river are vigorous and powerful under the low-angle light.

Another big attraction to Iconography is the starry sky and meteor showers.

At Iconography in the tianmen fjord lies the ancient ruins of a temple that was destroyed during the war and is now strewn with weeds and crumbling walls.

The inside of the ruins is next to the cliff wall, which is full of caves. The cave size, function, luxury and simplicity on the cliff wall are different. Some only accommodate one body for practice, some extend the outer wall, three or five gather to recite buddhist notes, and some are sutras.

Many of the caves have black walls, the result of years of smoke. The shiny blackness made the empty ruins real.

There is a single room on the cliff. It looks like there is no path to go to, but actually there is a trace to be found. This has become a must-stay for many self-driving tourists at Iconography tianmen’s mid-mountain villa. Inside is very small, allow two couch only, stick a wall is buddhist platform, outside have the step stage with half meter wide.